If I understand you correctly, you think that the DL has the horse power to handle 16 channel recording. That's nice to know. I'm pretty sure some headroom needs to be maintained to keep it from spitting up and stable software is always a good thing. Still if they were able to even go to 6 channel recording like taking all the Aux's and sending them recording, that would be a serious improvement in function. I have found many times when 16 channels weren't quite enough. On the other hand, I don't know how to incorporate this into Cubase while live. That was the great thing about the Alesis mixer. My only issue was deciding how to hook it all up. (Just used the Alesis for recording about two days ago to my 4 year old MacBook Pro.) Thanks for the researched info on the DL. I may never be able to use it, but it doesn't hurt to know about it either.