Hi Brian,
I have helped with a couple church installs but don't do church sound.
Much of the audio I do is for Contra dancing, with a caller that has to be clearly intelligible over music.
When I started mixing 25 years ago some of the most useful advice I got was from folks doing church sound.
More than ten years ago I bought an 01V96, and also installed them in two local venues.
Am very familiar with the 01V96, LS9 plusses and minuses.
Temporarily you might want to try leaving the 01V96 at stage, connecting a laptop for Studio Manager, 01V96 Editor, and a VNC server program, and
a router and tablet running a VNC Client program to mix on the tablet out in the hall.
I did this for a couple years. Kinda clunky, but it works. And no 150' snake to set/strike!
I bought a DL1608 a couple years ago and a DL32R this spring.
The 01V96s now see very little use.
In addition to regular dances, the DL32R did my big summer concert series, with
short sets and fast change-overs, in a soft-seat theater.
Two weeks ago I did a weekend dance festival with the DL32R.
A local college where I do quite a bit of work just installed a QU16, with
an eight-in, four-out interface at the stage in a recital hall.
Nice mixer.
For me, when mixing on a tablet, the app plays a huge part in how usable the mixer is.
I prefer the Mackie app to the Yamaha, A&H, Behringer, QSC and Presonus apps.
I'm faster on the Mackie.
At dances, having physical faders at the side or back of a hall pales in comparison to being able to walk out on a dance floor with a tablet.
The only mixer location in the theater noted above is an alcove with horrible acoustics.
Being able to sit out in the audience allowed me to do a better mix, faster.
(I had the DL32R backstage, with a router out front.)
With ANY critical tablet mixing setup, get a good router.
A consideration that doesn't get much discussion is physical, motorized faders.
Even good faders jam up with dust, start jittering, or just fail.
In the past 11 years I have replaced a total of 14 faders on two different 01V96s.
Even though the early Presonus digital boards kinda sucked(and so did the app), I liked their concept of non-motorized faders - one less thing to fail.
(Except Presonus put the cheapest, crappiest faders in those early boards and they simply broke.)
Not having physical faders can actually be a plus.
Another consideration:
I like to double assigned channels - input-1 to channels 1&17, input-2 to 2&18, etc.
Except for shared gains, this essentially gives you a house mixer and a separate monitor mixer,
allowing for different EQ on house and monitor channels, and compression only in the house.
On analog boards and the DL1608 I do this with XLR-Y cables.
On the DL32R this is a simple software assignment.
If you do this with the DL1608 and QU16 your channel count is very limited.
With the DL32R having 32 channels and 4 returns, I can double-assign 18 channels.
For me, if I was going to get the A&H, it would be the QU32.
For some situations, physical faders are absolutely better than mixing on a tablet.
So I suggest you think about how you and the other audio folks mix.
With the Mackies I think more about where I patch channels, what I have showing in different view-groups; even on fairly fast-paced shows I keep up.
But with really big channel counts I would want a physical surface.
It sounds like you would be comfortable with no physical faders, but for some folks this can be a deal breaker, or a learning opportunity.
You might want to rent in some different mixers and see how they actually work for you.
With any of them there is a learning curve, but this way you could get a way better idea of what these things actually do, compared to reading about them.
Thanks and good health, Weogo
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